Location: Bryce Canyon (Winter)

Inspiration Point at Sunset, Bryce Canyon National Park

After exhausting our options in the Grand Canyon, my friend, Beck, and I decided to head up to Bryce Canyon. I have been wanting to get back to Bryce since I had a micro short stay almost two years ago. Winter in Bryce creates a great contrast between the snow and red rock hoodoos, but it can come at a price. I thought the Grand Canyon was cold, but I had no idea how cold it could get in Bryce. At one point my iPhone weather app said -13 degrees F! Not much you can do before your mind and body become lethargic and wonder why the crap you're standing on the edge of a cliff in this insanely cold weather. Sometimes I got so enthralled in the photo taking that I forgot I should probably put my gloves back on or risk frost bite. The reality sets in after I've gotten back in the warm car and the feeling in my fingers and toes comes back with a vengeance. Bryce in the winter really is unbelievably beautiful. If you can fight the cold it is well worth a visit. 

Sunrise at Sunset Point, Bryce Canyon National Park

First light on Bryce Canyon's hoodoos in winter at Sunset Point.

Sunrise at Sunset Point, Bryce Canyon National Park

Swamp Canyon just after Sunset, Bryce Canyon National Park

Inspiration Point sunset panorama, Bryce Canyon National Park

Some tips for shooting in cold weather: 

1. Batteries are the first thing to go when it's cold. Have a spare or two and keep them in a pocket with a hand warmer wrapped around it. I've even seen some photographers place a hand warmer on the outside of the camera and attach it with a rubber band. 
2. Keep your hands warm. I struggle with this myself, mostly because I don't have the proper gear, but my hands are the first thing that get cold. I need my hands to work the small buttons on the camera, adjust the ball-head or focus the lens, but with thick gloves it can be awkward. Most of the time I just take a glove off to make a quick adjustment and fumble through the rest with my gloves on. A shutter release cable makes it easier to find the shutter button with gloves. Hand warmers are also good to keep in your pockets or stick inside the glove for that extra bit of warmth.
3. Watch your breath. Condensation will build up on anything close to your airway and in freezing temperatures it will immediately turn to ice. Not so fun when your filters or front element of your lens gets covered in ice. I should also note that care should be taken when changing lenses in freezing temperature. I'm not always the best at keeping to this, but it's something to consider.
4. Bundle up and layer. Come prepared to face the elements with the proper gear. A light jacket and sneakers aren't gonna cut it. And don't forget a beanie.
5. Last but not least, have fun! Shooting in freezing temperatures is challenging, but there is a certain satisfaction that comes from enduring these conditions and coming away with lasting imagery. 

Location: Goblin Valley

Layers of rock in Goblin Valley

Here are some pics from my latest trip to Goblin Valley State Park. The afternoon started out windy, and when I say windy, I mean *blow-your-tent-from-it's-stakes-so-you-never-see-it-again windy, so I was a little skeptical about actually getting out to shoot sunset. As my friends and I hunkered down in the back of a shell covered truck to wait out the wind, the light started to change. The wind died and the menacing clouds broke enough to create some dramatic light in the valley. There were 360° views of magical light. 

The weather never ceases to surprise me. I have learned this time and time again, especially living in a place like Utah. There is a saying in Utah, "If you don't like the weather, wait five minutes." This is a valuable truth to learn as a photographer; light can change instantly and if you're not ready for it, you'll miss it. 

The three sisters in Goblin Valley

Photographer takes in the views in Goblin Valley

The Three Sisters in Goblin Valley

*Actual experience. I set up my tent with it staked to the ground in relatively calm weather, go off and play among the goblins in windy-as-hell weather, and come back to three stakes in the ground holding nothing but the air around them. The $25 tent that had been my shelter for so many weekend adventures was gone. 

Location: Canyonlands NP

Pothole Point Overlook. Needles District, Canyonlands.  

Singh-Ray 3-stop reverse ND, 2-stop soft step graduated ND, Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 70-200mm, Gitzo Tripod, BH-3 Ballhead.

False Kiva. Island in the Sky District, Canyonlands.

Singh-Ray 3-stop reverse ND, 2-stop soft step graduated ND, Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 17-40mm, Gitzo Tripod, BH-3 Ballhead.

Pothole Point Overlook.  Needles District, Canyonlands.  

Singh-Ray 3-stop reverse, Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 70-200mm, Gitzo Tripod, BH-3 Ballhead.

 Newspaper Rock. On the way to the Needles District, Canyonlands.

Canon 5D Mark II, Canon 17-40mm.

I've been hitting up several National Parks in and around Utah this past year and have come to fall in love with Canyonlands National Park. Just west of the well known Arches National Park, on the other side of Moab, lies the beautiful Canyonlands National Park. The north entrance, just north of the entrance for Arches, takes you to the Island in the Sky District. At the edges of "Island in the Sky" you realize why it has its name; steep cliffs drop off into the canyon floor hundreds of feet below which continue miles beyond human sight. The Green and Colorado Rivers have formed much of the land, carving deeper canyons below. With the limited time I've had in the Island in the Sky District, and Canyonlands in general, I've only been able to hit some of the shorter hikes and closer lookouts. For a one or two day trip to Canyonlands, I would suggest staying in the Island in the Sky District and hitting the sites there.  These are some of my favorites:

• Mesa Arch is one of the most famous arches in the area and is best seen at sunrise. There will be 20-30 other people there, especially in the spring and summer months, so get there early if you want to set your tripod somewhere decent. Or you can always hope for an overly friendly European who will wave you over to set your tripod leg to leg with his, in the midst of a sea of Japanese tourists, to get the exact shot you were hoping for. But I wouldn't count on it. Get there early if you don't want to be fighting for your view of Mesa Arch. 

• False Kiva is one of the best kept secrets in the park. The trail is unmarked and followed only by the occasional cairn, but if you ask a ranger at the visitor center, they'll tell you exactly where to go. It is a very secluded hike. Chances are, you won't see another person the entire way. Keep that in mind, and be prepared, if you plan on going alone.  

• Any of the overlooks are amazing; I would suggest hitting as many as you can and choosing Green River Overlook or Grand View Point Overlook for sunset.  

For the majority of my most recent trip, I spent my time in, or getting to, the Needles District. None of the four districts in Canyonlands connect, and you have to drive out the same way you come in, so accessibility is not exactly easy. The road to get to the Needles District is north of Monticello, and from the 191 it's a scenic 35 mile drive in. The places I was able to see only made me disappointed that I didn't have more time to explore. This part of the park definitely requires pre-planning. Backcountry permits go quickly and can only be reserved if you call at least two weeks ahead. Very few are given out on a first come, first serve basis at the visitor center, and they start giving them out a day prior to the backcountry day.  I know the next time I go to the Needles I will have a backcountry permit in hand. It seems to me, the only way to really experience the Needles District is to spend a night or two in the secluded backcountry. Maybe in the next few months...

Elephant Hill Trail. Needles District, Canyonlands.

Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 17-40mm.

Pothole Point. Needles District, Canyonlands.

Canon 5D Mark II, Canon 17-40mm, Gitzo Tripod, BH-3 Ballhead.

Cave Spring pictographs. Needles District, Canyonlands.

Canon 5D Mark II, Canon 17-40mm.

Layers of sandstone on Elephant Hill. Needles District, Canyonlands.

 Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 17-40mm.

Needles District, Canyonlands.

 Singh-Ray Warming Polarizer, Canon 5D Mark II, Canon 70-200mm.

Mesa Arch. Island in the Sky District, Canyonlands.
Canon 1Ds Mark II, Canon 17-40mm, Tripod.

Spirit of America: Canyonlands

To continue my 'Spirit of America' series I've included this shot of Mesa Arch at sunrise. Canyonlands National Park is the ultimate American Southwest landscape, with arches, deep canyons, red rock, and sweeping landscapes that stretch for miles. This is what I imagine when I think about the American spirit.

*Prints available upon request. See 'Prints' tab.

Spirit of America: Monument Valley

When I think of America I think of places like Monument Valley.  There is something about the place.  Maybe it's all the films showcasing the buttes behind a tough heroic cowboy, maybe it's the remoteness, or maybe it's just the pure beauty of the desert.  Whatever it is, it has inspired me to create a series of photos entitled, "Spirit of America".  I've included the image below to start off the series.  Tell me what you think.

Southwestern Adventure: Antelope Canyon

What an amazing place!  Every corner and every turn seemed like there was a photographic opportunity.  It's no wonder so many photographers have a foundation of Antelope Canyon photos.  The light bounced around the walls to create a rainbow of colors inside.  Blue, purple, red, orange and yellow.  It was a bit more difficult than I thought to get a decent photo without someone in the crowd walking through it or getting the exposure right in the ever changing light.  I found that Manual mode was the only way to get the exposure I wanted and stopping down about 2 stops gave me an overall better exposure.*  The most important thing I could recommend for a place like Antelope Canyon is to protect your camera!  I (luckily) did my research beforehand and found that guides will throw dust up into the air to create the light beam effect, and with dozens of people walking through on the sandy floor dust is bound to get into the air.  The essentials in protecting your equipment?  A plastic bag (whether you make it to fit over your camera or you buy a camera specific one) and lens filter (a cheap one is probably best although you don't want to sacrifice too much quality).  After spending a few hours in the canyon I came out with one dirty, pretty much useless, filter.  Imagine if that was my lens!  All those tiny particles of sand scratching the glass, I was glad I did my research.  Some other things to keep in mind if such an occasion arises that you happen to get the opportunity to photograph such an amazing place; do not change lenses, stick with a wide angle lens, and go to the tour booth set up just to the east, down the road from the sign for Antelope Canyon Upper and get the 11:00-1:00 photo tour.  It is well worth it.  The guide for my tour was excellent and made sure everyone got the shots they wanted. 

I did a bit of experimenting with my Singh-Ray ND Graduated filters and was pleasantly surprised by the results.  With so much range in light there were several blown out shots that had potential.  With the help of my 3-stop graduated filter I was able to hold back enough light to catch the details in the brightest spots that were naturally visible to the eye.  On shots 2, 3 and 6 of the series below the variation of light was so broad I couldn't get it all without compromising one way or the other in exposure.  However, with the graduated filter I was able to get the correct exposure of the darker (blue) areas while holding back the brighter (yellow) areas enough to get the detail in the rocks. 

Essentials:

• Tripod - it sounds crazy to take one with the lack of space and crowds, but there is no other way to get the photos you want.  Long exposures are a must.  Not only is flash not allowed, it does nothing for the photo.
• Protection - plastic bag for camera, lens filter.
• Shutter release cable.
• Singh-ray ND graduated filters.
• Patience!  You have to realize everyone else feels entitled to be there, too.  Get your shots and be considerate of others' shots.

*note:  The blacks in these photos are essential to accentuate the depth and rich color of Antelope Canyon.